My phone just pinged and Austin Davis says that he’s cool to start the interview we have scheduled today, whenever. Hyped, I jump up from watching Wednesday, to...
Rebecca van Laer’s debut novella How to Adjust to the Dark (Long Day Press, 2022) is a hybrid of prose, poetry, and theory, drawing on the psychoanalytic tradit...
In the foreword to her debut collection of short stories, Women Who Misbehave Sayantani Dasgupta recalls her childhood spent role-playing with her brother in wh...
Brendan Lorber: Let’s start at the beginning. Big Other’s name conjures up a play on (and distinction from) Orwell’s watchful dictator. It also gestures toward ...
Adin Dobkin’s debut Sprinting Through No Man’s Land (Little A, 2021) covers the cratered ground that nearly seventy cyclists embarked in the thirteenth Tour de ...
Austin Davis has a new EP coming out soon with jazz musician Joe Allie. It’s about his experiences on the streets with the homeless. Austin Davis is a poet and ...
To reduce a César Aira book to its plot is a disheartening exercise in futility. The Divorce—Aira’s fifty-second novel, and his tenth translated into English by...
Featuring sixty-seven stories that span over a decade, Spinning to Mars dangles between the promise of a ride and the promise of home. The eighth collection fro...
Dani Putney’s Salamat sa Intersectionality is a raw and tender interrogation of identity. Divided into three panels—‘Youthful Absolution’, ‘Salted Pores’, and ‘...
The latest collection from Christine Shan Shan Hou is smart, evocative, and at times so quiet, you can hear the sound of a thought forming, and then evaporating...
“Can a chainsaw be a god? A masked person’s bare hands?”
Featuring eighteen essays that braid together memoir and criticism, Gina Nutt’s debut collection Nig...
There are few collections as charming as Shy Watson’s Horror Vacui (House of Vlad, 2021). Divided into three sections—Poems, Waking Dreams, and Quarantine Diari...
Michael Chang knows how to stay vulnerable to the reader without taking themself too seriously. In DRAKKAR NOIR, the poet’s forthcoming chapbook from Bateau Pre...
Rachel Genn’s second novel, What You Could Have Won (And Other Stories, 2020), chronicles a well-worn path to fame. After a crucial misstep in his career, faili...
The Weak Spot is the first novel from Lucie Elven and Soft Skull Press ushers it into our lives at precisely the right time. A young woman relocates to an isola...
I first found Matt Mitchell’s work in 2020: A Meat Loaf-quoting, love-struck poem that made me homesick for summers in a town I’ve never visited. That same warm...
As we begin to steady ourselves in another year rife with unsteady circumstances, a parallel urgency emerges within. The questions arrive slowly, then in quick ...
“The thing about credit is that interest stacks,” writes Elle Nash in “Define Hungry”—one of several stories in her debut collection that grapple with being ali...
The pains of heaven, the pleasures of hell, imaginary homelands, livestock auctions, naked internet oceans—in his latest collection, Things to Do in Hell (Coffe...
Jenny Hval’s Girls Against God reads as an imagistic compendium of surrealist cinema and subcultural manifesto. The text follows a self-proclaimed provincial go...
While the timing of its English publication is embarrassingly relevant, Vigdis Hjorth’s Long Live the Post Horn! offers welcomed relief: an existential crisis o...
Though you might recognize Will Johnson as the voice behind Denton-based band Centro-Matic, his debut novel warrants a distinction of its own merit. If or When ...
On August 23, a week after Prime Day, Nancy Bass Wyden, the third-generation owner of New York’s iconic Strand Book Store, took to Twitter. “We need your help,”...
The women in Jules Archer’s Little Feasts are hungry. They’re chowing down on fat slices of tempeh, ripping napkins apart while watching the Investigation Disco...
The first time I talked to Kevin Sterne was at the pizza bar, The Boiler Room, in the Logan Square neighborhood of Chicago. This was after our joint reading at ...
Brian Evenson’s words unsteady the best of readers. They stretch circumstance to convey the uncertain and unsettling; they confuse, morph; lead you to a room in...
In many ways, Gwen Goodkin’s A Place Remote is about belonging: a dissatisfied optometrist confronts the life choices he’s made; a high school student travels t...
Jamie Marina Lau wrote her debut novel over two months, in a state of trance, at the age of nineteen.
The result was Pink Mountain on Locust Island, a rapturou...
A divine symmetry emerges quietly in Nicolette Polek’s debut collection. Imaginary Museums exhibits twenty-six compact short stories, categorized into four dist...
Ashleigh Bryant Phillips’ debut collection won the 2020 C. Michael Curtis Short Story Book Prize, and it’s no surprise why: Sleepovers is at once dark and allur...
