In this arbitrary assemblage of micro fiction, the importance of place is indirectly questioned. Can a person be anchored by what’s most familiar? Can roots fro...
Look here: this is Lucy’s life. It’s covered in rust, because Lucy prefers it that way. It’s a flesh ball of dirt, blood and memory that Lucy holds in her own h...
It’s hard to pin this little book up against proper scenery. Sikkema throws it around too quickly, like a noxious ball of fire. Poems tumble in the depths of ou...
August, and the Snow has Just Melted is like a collection of postcards transcribed from a melancholy language. It’s mixed with English, Norwegian and some heavy...
Shanbhag’s novella begins on an exhale. A nameless narrator sits in refuge at a coffee house. He pins his gaze to the exchanges at other tables in attempt to di...
Shy Watson’s candid chapbook leaves something to be desired-something specific. It narrates a suffocating crush. A hopeless attraction, detrimental to a young p...
Picture a little girl kneeling in a glass field. Remember her knees are nerveless and her blood is a myth. If it’s difficult to picture a little girl kneel...
This is a confessional collection of prose. Elysia Smith sits her younger self beneath a ghost light and pulls the most arcane questions out from her ...
Boris is alone. He finds company with his dark house, his chair, and the sea. But he can’t tell us if anyone else inhabits the world. He isn’t able to let us ...
During birth, mother and daughter become strangers. Motherhood is a foreign concept, not as instinctive as expected and a daughter remains a strange, inanimat...
Killer is a sparkling, classified experiment full of impossible questions. The first time I travelled through the book, I pulled poems out of the thick air and ...
Laura is a writer in Northern Chicago, most recently published in Literature Emitting Diodes. In daylight, she slings coffee and writes poems and lists on the back of receipt paper. Off the clock, she participates regularly at The Moth Story Slam, and a few other open mics.
She loves magical realism, Thai food, and foreign films.