One of the most disorienting pieces of prose I’ve read is Samuel Beckett’s Westward Ho. In intentionally clipped and fragmented style, Beckett dissects personho...
In his 2001 novel The Corrections, Jonathan Franzen, himself a child of Midwest, crafts a Midwest that is culturally repressive, a space in which one happens to...
There’s much that’s been said and written about the rust belt and blue-collar America in the aftermath of the 2016 election. As a cultural group which—very broa...
Nearly two decades ago, the critic James Wood coined the term “hysterical realism” to describe the work of a group of emerging novelists at the turn of century....
David Foster Wallace’s iconic 90s novel, Infinite Jest, describes a film that is perfect entertainment, so engrossing that viewers can’t look away. Anyone who b...
The title of Matthew Mahaney’s The Plural Space invites a question: what is the plural space? The plural space could best be described as a liminal place; the...
In the acknowledgements at the end of The Thing Itself, Adam Roberts admits that the novel shoehorned him into something of an awkward role: “an atheist writing...
Max Heidelberger is a religious person of the Christian variety who tends to engage texts with an eye towards the numinous. He holds a BA in Anthropology and Literature from Wheaton College (IL), and a M.Div from Princeton Theological Seminary, where he studied modern religious history and language ethics. Max spends his free time reading novels and writing essays from his apartment in the Northwest suburbs of Chicago. He has published reviews with Curator Magazine, the Anglican Theological Review, and Maudlin House.